2067

导演：Seth,Larney 

主演：柯蒂·斯密特-麦菲,瑞恩·柯万腾,德波拉·梅尔曼,利安娜·瓦尔斯曼,安迪·麦克菲,达米安·瓦尔谢·霍林,芬恩·利特,Matt,Testro,亚伦·格伦尼,Sana,a,Shaik,Rachael,Wegener,Checc,Musolino

类型：科幻片地区：欧美年份：2020

简介：在2067年，地球濒临崩溃。在破坏环境和气候多年之后，人类付出了可怕的代价：森林，植物和野生动植物消失了，由于可用氧气的急剧减少，人类很快也将灭亡。在这个灰暗的，垂死的世界中，人们通过口罩呼吸的合成的氧气生活，但是即使这样，也越来越多的人开始不适并且生病。在没有治愈方法的情况下，人类唯一可以的希望就是未来，希望在未来还人还活着并可以告诉他们如何拯救地球。这个时候全球领先的氧气供应商Chronicorp公司率先开展了这个研究项目。有一天，他们会收到来自未来400年的消息：“发送EthanWhyte”。……

美丽的一天

导演：热纳罗·努基阿德 

主演：Checco,Zalone,Nabiha,Akkari,Rocco,Papaleo

类型：剧情片地区：其它年份：2011

简介：……

卖艺春秋

导演：费德里科·费里尼,阿尔贝托·拉图瓦达 

主演：佩皮诺·德·菲利波,卡拉·德尔波娇,朱丽叶塔·马西纳,约翰·奇兹米勒,Dante,Maggio,Checco,Durante,Gina,Mascetti,朱利奥·卡利,Silvio,Bagolini,贾科莫·富里亚,Mario,De,Angelis,Vanja,Orico,Enrico,Piergentili,雷纳托·马拉瓦热,Joseph,Falletta,福尔科·卢利,Carlo,Romano,Fanny,Marchiò,弗兰卡·瓦莱里,阿尔贝托·博努奇,维托里奥·卡布里奥利,阿尔贝托·拉图瓦达,Mi

类型：剧情片地区：意大利年份：1950

简介：

这部电影带有浓厚的新现实主义风格，基本上与费里尼中后期的神采飞扬不一样，采用了纪实手法来讲述一个爱情故事，结构简单，多用长镜头。片中的内容与战后意大利贫瘠的社会现实相吻合。本片也是费里尼首次与自己的妻子玛西娜合作。乡下姑娘莉莉加入一家剧团，她的表演相当成功，不但在观众中大受欢迎，剧团团长契克也暗中爱上了她。由于契克常常醋意大发，剧团惹上了许多麻烦，最终不得不解散收场……

马隆布拉[电影解说]

导演：Mario,Soldati 

主演：Isa,Miranda,Andrea,Checchi,Irasema,Dilián,Gualtiero,Tumiati,Nino,Crisman,Enzo,Biliotti,Ada,Dondini,Giacinto,Molteni,Corrado,Racca,Luigi,Pavese,Nando,Tamberlani,Doretta,Sestan,Paolo,Bonecchi,Elvira,Bonecchi,Giovanni,Barrella

类型：电影解说地区：其它年份：1942

简介：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!……